Cyc? Originality Home Decoration Furnishing Animal Ornament Arts and Crafts Swan Lovers
Some other couple might have given upwardly, but not Craig and Linda Fiebig. After a botched remodel left their Seattle dwelling house nearly uninhabitable, the intrepid duo decided to build a new firm on the aforementioned property.
"If I hadn't had three kids at the time, I would have chosen a loft downtown," says Linda, at present a stay-at-home female parent of four. With that urban archetype in mind, the Fiebigs asked the noted firm Vandeventer + Carlander Architects to design a colorful gimmicky house that could adapt the couple'due south burgeoning art collection and the demands of a growing family.
Perched on a rambling corner lot just minutes from downtown, the new domicile consists of ii parallel boxes linked by a narrow atrium. Back up functions such as the kitchen, laundry, stairs and bathrooms are wrapped in ruddy Cor-X steel, while living spaces reside inside a cedar block set atop a glass plinth. "We used unlike materials to code the public and private spaces and to see Linda's desire for color and diversity," says design principal Tim Carlander, who collaborated on the projection with his firm's managing partner, Bill Vandeventer, and SBI Structure.
The domicile's artistic aspirations are axiomatic from the entry, where storefront windows frame a compelling canvas by Chinese American creative person Hung Liu. To the left sits Linda's office, an ocher control eye with expansive drinking glass doors. Steel stairs on the opposite side of the entry lead to the atrium, which divides the house into public and private realms. "This house is laid out very functionally," Linda says. "There's no wasted space."
Steel armatures frame the living surface area and back up the 2nd flooring, freeing the surrounding curtain wall to embrace the sylvan setting (the landscape architect was Portland's Samuel Williamson). Glass doors open onto a pair of terraces and the lawn beyond, inviting an easy indoor-outdoor flow that'southward ideal for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, then in that location's nowhere for guests to linger.
Linda kept her color cravings in check when it came time to decorate. "I actually had to fight my impulses, because I didn't want to steal the thunder from the architecture or the art," she says. The living room (furnished past Michael J. Skelton of MJS Interiors in Los Angeles) is divided into two seating areas, each of which is anchored by a red Tai Ping carpet. A cerise zebra-patterned Chris Lehrecke daybed from Ralph Pucci serves both groupings, its color repeated in the dining chairs. Past limiting the accents to a single hue, Skelton was able to satisfy the possessor'southward want for color without upstaging the surroundings.
Artwork adorns every wall, making the pieces more approachable merely as well more vulnerable to the exploits of the family's youngsters: Alec, 17, Tommy, 13, Ingrid, eleven, and Rhys, 5. "There'south going to exist a certain rate of attrition, and you just deal with it," shrugs Craig, an IT marketing manager. "The two of u.s. accept damaged more fine art than the kids accept," Linda confesses.
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Linda, a Midwesterner by birth, asked for plenty of light to combat Seattle'south ofttimes gloomy weather. The architects obliged, lining the atrium's walls and ceiling with a nearly unbroken band of windows. Even the atrium floor is drinking glass, so light tin can illuminate the basement during the day.
Glass bridges bridge the void above, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they have to cross a bridge to become to the chief bath, Linda and Craig don't seem to mind. "My married man gets upward at five in the morning, and so while he's getting ready, I can still exist over in the bedroom sleeping," Linda says.
Owing to a diverseness of unforeseen circumstances, the house took half-dozen years from concept to completion. During that time, the Fiebigs lived in a succession of rental houses and dispersed their art to friends. (Attention a political party one evening, Craig raved nigh one of his host's paintings, simply to be reminded that the slice was his.) When they were finally reunited with their art, Linda was overcome. "It was like a child coming dwelling from college," she says.
All those years of planning paid off, though. Low-cal and greenery greet the Fiebigs at every turn, enshrining family unit and art in a setting that is worthy of both. "The house suits our lifestyle to a tee," Linda says. "People often ask us what we would modify. We're still difficult-pressed to come up with an answer."
What the Pros Know
The living room fireplace and Linda's function look equally though they're covered in Venetian plaster, merely the cloth is actually Milestone, a hybridized Portland cement adult in the 1980s by Seattle craftsman Don Miles. Milestone contains an acrylic binder, making it water resistant and nearly impervious to corking and fading. The material adheres to almost any surface, and then information technology's ideal for walls, floors, countertops and showers, and it accepts the same universal tints used at pigment stores, meaning that color choices are infinite. The cost depends on the project merely is comparable to quality tile or stone. Milestone tin can be purchased only from Artisan Finishes in Seattle (ArtisanFinishes.com), just company president Don Latimer is happy to assistance homeowners locate qualified installers in their expanse or to provide instruction to experienced do-it-yourselfers. "It's a adequately forgiving medium," Latimer says. "If you accept a failure, information technology'll be artistic, not structural."
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